Analysis of The Secret River

How Perception Affects Tourism In Thailand Tourism Essay

How Perception Affects Tourism In Thailand Tourism Essay This section is intending to give a review of related speculations and observations those effect to the travel industry. The audit likewise incorporates the idea of gainful picture, the picture of Thailand and legacy the travel industry and furthermore give idea which beforehand has been created by various analysts who undertaking the examination concentrate in comparative methodology. How Perception Affect Tourism The term impression of the travel industry is, for the most part, can be seen in two viewpoints. The first is the psychological picture made by advertising and media. Another part of picture can be created by the buyers. When all is said in done, the goal will showcase itself however much as could be expected so as to convince the explorer to purchase an excursion there (Tuohino, 2002 refered to from Henkel et al, 2006). Voyagers go to the goal so as to devour the items, administrations and encountering to those contribution at the goal. Voyagers will frame their recognitions identified with their desire which depend on their previous experience, companions, the web, showcasing and trip specialist data (Kotkew, Bowen Markens, 2006). In this way, if items or administrations specifically goal surpass voyager desire, which implies they are fulfilled. Then again, explorers are disappointed when their desires are not met (Mcdowall, 2010). As indicated by Crompton (1979), individuals travel for four unique reasons: private issue travel; corporate business travel; seeing family members and companions; and for delight excursion. Along these lines, voyagers have cliché picture of various observation and travel areas, so it is significant for the travel industry advertisers to elevate the goal picture to expand the quantity of vacationers (Sirgy Su, 2000). In addition, the people social having a place and legacy doesn't just influence the manner in which individuals encounter and decipher the items and administrations provided to them, however it likewise impact their dynamic with respect to selections of excursions and goals. Besides, clients have diverse discernment and individual needs, which hold various qualities to a goal. The assortment of client data is an approach to find the client needs and their qualities. Accordingly, clients advantage the goal in the method of clients tastes and inclinations which can straig htforwardly add to showcasing new item and administrations in the travel industry (Reportforu, 2010). Fakeye and Crompton (1991), has laid out the vacationers picture development process (see Figure 1). It tends to be clarified from this Figure the purchasers natural pictures and the prompted picture of vacationer goal can be acquired from somewhere else, for example writing, companions or family members. These messages assume a critical job and impact the assessment of elective travel goals lastly in settling on a choice about the goal they will visit (refered to from Henkel et al, 2006). Hu Ritchi (1993) expressed that the more travelers believe that the goal will fulfill their excursion wants, the almost certain the guests will pick the goals. Figure 1: Faye and Cromptons Tourists Image Formation Process (Tuohino,2002). Conceptualisation of advantageous picture It was portrayed by the past investigation on goal picture that a goals picture could add to the goal making process. During this procedure, voyagers fabricate a goal picture dependent on the educational and powerful data, for example, companions, news and travel office (Rittichainuwat, 2001). Subsequently, a successful goal picture procedure will be significant so as to make the specific goal separation from different nations. Cromton (1979) states that not all pictures can be impacted to explorer dynamic procedure. The examination looks at the connections between the quality of a goal and dynamic procedure of visitors. Along these lines, understanding the evaluative of goal trademark picture identified with goal decision is required in the travel industry advertising. Additionally, Kotler and Barich (1991) states that shopper will frame a picture dependent on advantage or worth that they hope to get from those items or administrations. Sheth, Newman, and Gross (1991) recommended that advertising decision conduct is a multidimensional wonder including numerous qualities: utilitarian, social, enthusiastic, epistemic, and restrictive (see Appendix 1). The investigation additionally expresses that these seven significant components are impacting market decision conduct. In view of the hypothesis and showcasing picture idea, the gainful picture model was created by Tappachai and Waryszak is appeared as underneath. Figure 2: Beneficial picture model (Tapachai Waryszak, 2000) Figure 2 shows explorer utilization esteems which are in the helpful picture model. These five utilization esteems including utilitarian attribute of the goals, Social observation about the goal, passionate of voyager through the goal, epistemic of the goal which explorer can increase new understanding from the goal and restrictive, for example, openness to different nations that will assist guest with deciding about their goals. (Tapachai Waryzak, 2000, refered to from Henkel et al, 2006). By utilizing Thailand for instance to depict the model above, Thailands practical qualities are intriguing deal shopping, assortment of food and excellent view site. The social utilization will be a goal that reasonable for all periods of individuals. The passionate worth is about a position of to unwind and quiet. An epistemic worth is a wonderful culture in Thailand lastly the restrictive worth is for the most part about the area which explorer can without much of a stretch access to different n ations. As indicated by Echtner Ritchie (1993), the goal picture alludes to properties base or comprehensive (symbolism), with every segment containing useful (unmistakable) or mental (impalpable or unique) trademark ( Echtner Ritchie, 1993). The traits points of view are including travelers observations through the qualities of the excursion goal, for example, wonderful design and structures, various social, authentic attractions and mental trademark like safe spot to visit and furthermore agreeable individuals. Besides, the comprehensive point of view of the goal identifies with goal picture as far as physical trademark, for example, sea shores, mountain, in like manner the mental are the goals air or disposition (Echtner Ritchie, 1993 refered to from Henkel et al). Pole Davies (2003) clarified that each goal have its own image picture. Likewise, the variables like expense and accommodation assume a significant job in dynamic of the goal. In any case, the most grounded impact and help is the picture of the travel industry goal (Davies, 2003). Accordingly, pictures are the brand personality which traveler can be seen. Also, pictures can be both increment and decline the determination of the goal by voyager (Henkel et al). Notwithstanding, Bigne et al. (2001) contended that picture isn't just impacts the goal decision, yet additionally has an effect on the assessment of the goal after the get-away. It tends to be clarified that whether voyager will come back to the goal (Bigne et al, 2001 refered to from Henkel et al). Additionally, a high positive picture of specific goal is bound to be picked by vacationer during the time spent dynamic (Echtner Ritchie, 1993). Taking everything into account, picture assume a significant job for traveler fulfillm ent and the assume picture of goal will impact visitor choice on their get-away goal. The picture of Thailand Goal picture can be both positive and negative picture, if two goals have nearly offering similar qualities for explorer recognition. Subsequently, the more positive picture of a goal place, the more probable that voyager will go there (Rittichainuwat, 2001). Thailand isn't just situating as a place where there is grin because of cordial individuals and a sheltered spot goal, yet additionally extensive as social, characteristic and authentic attractions. Because of the investigation of Yau and Chan on the picture of Southeast Asian, Thailand has been seen as a sensible cost, lovely sea shores and different attractions (Rittichainuwat, 2001). Moreover, Tapachai Waryszak direct an examination about advantage picture normal for Thailand and assembled the aftereffects of research indicated that the practical characteristics of modest shopping, assortment of food, cordial individuals and verifiable locales just as the epistemic trait of encountering rich culture in Thailand (Henkel et al, 2006). Moreover, the exploration between Tourism Authority in Thailand (TAT) and Siam University demonstrated the outcome that there was a positive picture as a characteristic and recorded travel goal (Henkel et al., 2006). This positive picture can be reflec ted by the honor winning goal from various nations, for instance, International Tourisms Bourse Berlin (ITB), granted the four go Asia Awards respecting best assistance accommodates travel to Asia in 2010, the Swedish great travel grant has positioned Thailand as the World Best Tourist Country Be that as it may, Thailand has likewise experienced a negative picture on account of prostitution, contamination which prompted the decay of vacation destinations (Rittichainuwat et al., 2001). Prideaux et al. (2004) has additionally expressed that the picture of Thailand is a suggestive goal. What's more, the picture of Thailand additionally identified with global news inclusion by saying that Thailand is a position of prostitution. These negative pictures can, clearly, influence guests and might cause them to would prefer not to visit Thailand. This likewise prompts the reason for some wellbeing and good issues in Thailand (Henkel et al., 2001). Nonetheless, the Tourism Authority of Thailand (TAT) never advances Thailand as a sex the travel industry goal (Prideaux et al., 2004). Suwanmolis learn about global media inclusion of prostitution in Thailand, the outcome f

31 Poets Recommend 31 Poetry Books to Read in August Critical Linking, August 2, 2019

31 Poets Recommend 31 Poetry Books to Read in August Critical Linking, August 2, 2019 Critical Linking, a daily roundup of the most interesting bookish links from around the web, sponsored by David Baldaccis One Good Deed. The Sealey Challenge was, initially, just a conscious effort to return to the habit of reading poetry, says Sealey, who has since stepped down as ED of Cave Canem. I posted across social media to ask if anyone wanted to join me in reading a book a day in August. Folks did, and the challenge caught on. Now, it’s in its third year. Now it’s tradition. Sealey is no stranger to building communityâ€"Cave Canem’s programming is all about creating a legacy of Black poetry through workshops, mentorship, readings, and support. So it’s no wonder the challenge has caught on like wildfire. Both poets and poetry readers alike use the hashtag #TheSealeyChallenge and post photos of the books they’re reading during the month, creating a storm of poetry on social media. The author of this piece legit slipped into the DMs of each of these poets to get their recommendations. Mad props for those efforts! Now go read some poetry. I spent a lot of time, over the next several days, smiling while tearing up. I tried to reply to everyone; I hope I did. So many peopleâ€"strangersâ€"told me they’d never previously spoken with anyone about being bisexual. I tried to cause no harm: Thank you for telling me this, Id say. I’m not a therapist, I have no training, but here are places where there are people trained to talk, and listen. You’ve helped me feel less alone, they said. I felt less alone, too. I wished I’d started talking about this part of my life a lot earlier than I had. All the bravery kudos to R.O. Kwon and anyone else sharing their truths to empower others. My book, The Library: A Catalogue of Wonders, began as an essay on writers’ libraries but quickly grew to encompass public and fictional ones as well. Ancient, modern and imaginary libraries have all accumulated compelling and irresistible stories. Mysterious filaments connect fictional libraries to each other, and to real libraries. Here are my favourites. Im almost ashamed admit how much time I spent pondering what my favorite fictional libraries might be. Almost. Sign up to Today In Books to receive  daily news and miscellany from the world of books. Thank you for signing up! Keep an eye on your inbox.

Doblar Conjugation in Spanish, Translation, and Examples

The Spanish verb doblar has several different meanings. It can mean to fold (like laundry or paper), to bend (like metal), to turn (like turn left or right while walking or driving), to double (like to duplicate), or to dub (like to translate a movie from one language to another). Doblar is a regular -ar verb. That means that it is conjugated similarly to other regular -ar verbs like cortar, enseà ±ar and cenar. In this article you can find doblar conjugations in present, past, conditional, and future indicative mood, present and past subjunctive mood, imperative mood, and other verb forms. Present Indicative Yo doblo Yo doblo la ropa despuà ©s de lavarla. I fold the laundry after washing it. Tà º doblas Tà º doblas la carta para ponerla en el sobre. You fold the letter to put it in the envelope. Usted/à ©l/ella dobla Ella dobla las ganancias de su negocio. She doubles her business' profits. Nosotros doblamos Nosotros doblamos la cuchara de metal. We bend the metal spoon. Vosotros doblà ¡is Vosotros doblà ¡is a la derecha en la esquina. You turn right at the corner. Ustedes/ellos/ellas doblan Ellos doblan la pelà ­cula al italiano. They dub the movie to Italian. Preterite Indicative In Spanish there are two forms of the past tense. The preterite describes completed actions in the past. Yo doblà © Yo doblà © la ropa despuà ©s de lavarla. I folded the laundry after washing it. Tà º doblaste Tà º doblaste la carta para ponerla en el sobre. You folded the letter to put it in the envelope. Usted/à ©l/ella doblà ³ Ella doblà ³ las ganancias de su negocio. She doubled her business' profits. Nosotros doblamos Nosotros doblamos la cuchara de metal. We bent the metal spoon. Vosotros doblasteis Vosotros doblasteis a la derecha en la esquina. You turned right at the corner. Ustedes/ellos/ellas doblaron Ellos doblaron la pelà ­cula al italiano. They dubbed the movie to Italian. Imperfect Indicative The imperfect tense describes ongoing or repeated actions in the past. It can be translated as was bending or used to bend. Yo doblaba Yo doblaba la ropa despuà ©s de lavarla. I used to fold the laundry after washing it. Tà º doblabas Tà º doblabas la carta para ponerla en el sobre. You used to fold the letter to put it in the envelope. Usted/à ©l/ella doblaba Ella doblaba las ganancias de su negocio. She used to doubleher business' profits. Nosotros doblà ¡bamos Nosotros doblà ¡bamosla cuchara de metal. We used to bendthe metal spoon. Vosotros doblabais Vosotros doblabais a la derecha en la esquina. You used to turnright at the corner. Ustedes/ellos/ellas doblaban Ellos doblaban la pelà ­cula al italiano. They used to dubthe movie to Italian. Future Indicative Yo doblarà © Yo doblarà © la ropa despuà ©s de lavarla. I will fold the laundry after washing it. Tà º doblarà ¡s Tà º doblarà ¡s la carta para ponerla en el sobre. You willfold the letter to put it in the envelope. Usted/à ©l/ella doblarà ¡ Ella doblarà ¡las ganancias de su negocio. She will doubleher business' profits. Nosotros doblaremos Nosotros doblaremosla cuchara de metal. Wewill bendthe metal spoon. Vosotros doblarà ©is Vosotros doblarà ©is a la derecha en la esquina. You willturnright at the corner. Ustedes/ellos/ellas doblarà ¡n Ellos doblarà ¡n la pelà ­cula al italiano. They will dubthe movie to Italian. Periphrastic  Future Indicative   Yo voy a doblar Yo voya doblar la ropa despuà ©s de lavarla. I am going to fold the laundry after washing it. Tà º vasa doblar Tà º vasa doblar la carta para ponerla en el sobre. You aregoing tofold the letter to put it in the envelope. Usted/à ©l/ella vaa doblar Ella vaa doblar las ganancias de su negocio. She isgoing to doubleher business' profits. Nosotros vamosa doblar Nosotros vamosa doblar la cuchara de metal. Wearegoing to bendthe metal spoon. Vosotros vaisa doblar Vosotros vaisa doblar a la derecha en la esquina. You aregoing toturnright at the corner. Ustedes/ellos/ellas vana doblar Ellos vana doblar la pelà ­cula al italiano. They aregoing to dubthe movie to Italian. Present Progressive/Gerund Form The gerund or present participle is the English -ing form. It is used sometimes as an adverb or for progressive tenses like the present progressive. Present Progressive ofDoblar està ¡ doblando Ella està ¡ doblando las ganancias de su negocio. She is doubling her business' profits. Past Participle The past participle is often used to form perfect tenses like the present perfect. Present Perfect of Doblar ha doblado Ella ha doblado las ganancias de su negocio. She has doubled her business' profits. Conditional Indicative The conditional tense is used to talk about possibilities. Yo doblarà ­a Yo doblarà ­a la ropa despuà ©s de lavarla si tuviera tiempo. I would fold the laundry after washing it if I had time. Tà º doblarà ­as Tà º doblarà ­as la carta para ponerla en el sobre, pero no la enviarà ¡s. You wouldfold the letter to put it in the envelope, but you will not send it. Usted/à ©l/ella doblarà ­a Ella doblarà ­alas ganancias de su negocio si trabajara mà ¡s. She would doubleher business' profits if she worked more. Nosotros doblarà ­amos Nosotros doblarà ­amosla cuchara de metal si fuà ©ramos mà ¡s fuertes. Wewould bendthe metal spoon if we were stronger. Vosotros doblarà ­ais Vosotros doblarà ­ais a la derecha en la esquina, pero es el camino incorrecto. You wouldturnright at the corner, but it's the wrong way. Ustedes/ellos/ellas doblarà ­an Ellos doblarà ­an la pelà ­cula al italiano si lo hablaran bien. They would dubthe movie to Italian if they spoke it well. Present Subjunctive The present subjunctive is used to express a desire, doubt, denial, emotion, negation, possibility, or other subjective situations. Sentences that employ the present subjunctive require two clauses. Que yo doble Mi madre espera que yo doble la ropa despuà ©s de lavarla. My mother hopes that I fold the laundry after washing it. Que tà º dobles El cartero pide que tà º dobles la carta antes de ponerla en el sobre. The mailman asks that you fold the letter before putting it in the envelope. Que usted/à ©l/ella doble El jefe espera que ella doble las ganancias de su negocio. The boss hopes that she double her business' profits. Que nosotros doblemos Pedro no recomienda que nosotros doblemos la cuchara de metal. Pedro does not recommend that we bend the metal spoon. Que vosotros doblà ©is El navegador sugiere que vosotros doblà ©is a la derecha en la esquina. The navigator suggests that you turn right at the corner. Que ustedes/ellos/ellas doblen Pablo pide que ellos doblen la pelà ­cula al italiano. Pablo asks that they dub the movie to Italian. Imperfect Subjunctive There are two options for conjugating the imperfect subjunctive: Option 1 Que yo doblara Mi madre esperaba que yo doblara la ropa despuà ©s de lavarla. My mother hoped that I fold the laundry after washing it. Que tà º doblaras El cartero pedà ­a que tà º doblaras la carta antes de ponerla en el sobre. The mailman asked that you fold the letter before putting it in the envelope. Que usted/à ©l/ella doblara El jefe esperaba que ella doblara las ganancias de su negocio. The boss hoped that she double her business' profits. Que nosotros doblà ¡ramos Pedro no recomendaba que nosotros doblà ¡ramosla cuchara de metal. Pedro did not recommend that we bend the metal spoon. Que vosotros doblarais El navegador sugerà ­a que vosotros doblarais a la derecha en la esquina. The navigator suggested that you turn right at the corner. Que ustedes/ellos/ellas doblaran Pablo pedà ­a que ellos doblaran la pelà ­cula al italiano. Pablo asked that they dub the movie to Italian. Option 2 Que yo doblase Mi madre esperaba que yo doblase la ropa despuà ©s de lavarla. My mother hoped that I fold the laundry after washing it. Que tà º doblases El cartero pedà ­a que tà º doblases la carta para ponerla en el sobre. The mailman asked that you fold the letter to put it in the envelope. Que usted/à ©l/ella doblase El jefe esperaba que ella doblase las ganancias de su negocio. The boss hoped that she double her business' profits. Que nosotros doblà ¡semos Pedro no recomendaba que nosotros doblà ¡semosla cuchara de metal. Pedro did not recommend that we bend the metal spoon. Que vosotros doblaseis El navegador sugerà ­a que vosotros doblaseis a la derecha en la esquina. The navigator suggested that you turn right at the corner. Que ustedes/ellos/ellas doblasen Pablo pedà ­a que ellos doblasen la pelà ­cula al italiano. Pablo asked that they dub the movie to Italian. Imperative The imperative mood is used to give orders or commands. There are both positive and negative commands. Positive Commands Tà º dobla  ¡Dobla la carta para ponerla en el sobre! Fold the letter to put it in the envelope! Usted doble  ¡Doble las ganancias de su negocio! Double your business' profits! Nosotros doblemos  ¡Doblemos la cuchara de metal! Let's bend the metal spoon! Vosotros doblad  ¡Doblad a la derecha en la esquina! Turn right at the corner! Ustedes doblen  ¡Doblen la pelà ­cula al italiano! Dub the movie to Italian! Negative Commands Tà º no dobles  ¡No dobles la carta para ponerla en el sobre! Don't fold the letter to put it in the envelope! Usted no doble  ¡No doble las ganancias de su negocio! Don't double your business' profits! Nosotros no doblemos  ¡No doblemos la cuchara de metal! Let's not bend the metal spoon! Vosotros no doblà ©is  ¡No doblà ©is a la derecha en la esquina! Don't turn right at the corner! Ustedes no doblen  ¡No doblen la pelà ­cula al italiano! Don't dub the movie to Italian!

Tour de France Drug Abuse - 4890 Words

The question of drug use among athletes in what was previously considered by the unknowing public to be a rather pristine sport, cycling, is important in that it will affect all future Tours and will place them and the athletes under scrutiny. To begin with, in Europe until the 1998 scandal occurred, despite a few exceptions, cycling was considered a drug free sport. The 1998 drug scandal tarnished the Tour de France and the reputation and image of other sports. The media response to the scandal took differing positions on what should be done next to clean up cycling. The scandal also affected advertisements, sales, and without question the 1999 Tour and Lance Armstrong. Since even the most naà ¯ve fan no longer trusts the cyclists,†¦show more content†¦Without that backing, the Tour and cycling would struggle awkwardly. If the war against drugs is not waged and won, a sport which has enjoyed a quantum leap in popularity could be plunged in a dark era particularly be cause of its tarnished reputation in 1998. (Velo-News 197) To avoid that dark era, Tour de France director general Jean-Marie Leblanc is taking a tough stand against the cheaters. In an interview with the Paris daily, France-Soir, Leblanc said, In the future I would not let a team start the Tour which had had a positive drug test in the weeks preceding the race (Velo-News 198). He was referring to Festina rider Christophe Moreau, who started this years Tour, despite testing positive for an anabolic steroid five weeks earlier (Velo-News 198). Nowadays, everybody is concerned and affected by performance boosting drugs. The British newspaper, The Daily Telegraph, interviewed ordinary cyclists who train at a 5km circuit near central Paris. One rider Jean Liguez said, Drug taking is an open secret. 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The Silver Linings Playbook Chapter 10 Free Essays

string(22) " painted a blood red\." I Don’t Know How This Works After some more lifting in the basement, I put on my trash bag and run my ten miles. Afterward, I shower, spray some of my father’s cologne, and walk into the mist – just like Mom taught me to do back in high school. I roll on some underarm deodorant and then don my new khakis and my Hank Baskett jersey. We will write a custom essay sample on The Silver Linings Playbook Chapter 10 or any similar topic only for you Order Now When I ask my mother how I look, she says, â€Å"Very handsome. So handsome. But do you really think you should wear your Eagles jersey to a dinner party? You can wear one of the Gap shirts I bought you, or you can borrow one of your father’s polo shirts.† â€Å"It’s okay,† I say, and smile confidently. â€Å"Dr. Patel said wearing this shirt was a good idea.† â€Å"Did he?† my mom says with a laugh, and then she removes an arrangement of flowers and a bottle of white wine from the refrigerator. â€Å"What’s this?† â€Å"Give these to Veronica and tell her I said thanks. Ronnie’s been a good friend to you.† And then Mom looks like she is going to cry again. I kiss her goodbye, and with my hands full of flowers and wine, I walk down the street and across Knight’s Park to Ronnie’s house. Ronnie answers the door wearing a shirt and tie, which makes me feel like Dr. Patel was wrong after all and I am underdressed. But Ronnie looks at my new jersey, checks the name on the back – probably to make sure I am not wearing an outdated Freddie Mitchell jersey – and says, â€Å"Hank Baskett is the man! Where did you get that jersey this early in the season? It’s great!† which makes me feel so much better. We follow the meaty aroma through their swanky living room and their swanky dining room to the kitchen, where Veronica is feeding Emily, whom I am surprised to see looking much older than a newborn baby. â€Å"Hank Baskett’s in the house,† Ronnie says. â€Å"Who?† Veronica answers, but she smiles when she sees the flowers and the wine. â€Å"Pour moi?† She stares at my puffy cheek for a second, but doesn’t mention it, which I appreciate. I hand her what my mother has sent, and Veronica kisses me on my un-puffy cheek. â€Å"Welcome home, Pat,† she says, which surprises me because she sounds sincere. â€Å"I hope you don’t mind, but I’ve invited someone else to dinner,† Veronica adds. She winks at me and then lifts the lid off the single pot on the stove, releasing a warm tomato and basil aroma. â€Å"Who?† I ask. â€Å"You’ll see,† she says without looking up from stirring her sauce. Before I can say more, Ronnie is lifting Emily from her high chair, saying, â€Å"Meet Uncle Pat,† which sounds strange until I realize he is talking about me. â€Å"Say hello to Uncle Pat, Emily.† She waves her little hand at me, and then I have Emily in my arms. Her dark eyes examine my face, and she smiles as though she approves. â€Å"Pap,† she says, pointing at my nose. â€Å"See how smart my girl is, Uncle Pat,† Ronnie says, petting the silky black hair on Emily’s head. â€Å"She already knows your name.† Emily smells like the mashed carrots that coat her cheeks until Ronnie wipes them clean with a wet napkin. I have to admit that Emily is a cute kid, and I instantly understand why Ronnie has written me so many letters about his daughter – why he loves her so much. I start to think about having children with Nikki someday and I become so happy that I give little Emily a kiss on the forehead, as if she were Nikki’s baby and I was her father. And then I kiss Emily’s forehead again and again, until she giggles. â€Å"Beer?† Ronnie says. â€Å"I’m not really supposed to drink, because I’m on medications and – â€Å" â€Å"Beer,† Ronnie says, and then we are drinking beers on his deck as Emily sits in her father’s lap and sucks on a bottle filled with watered-down apple juice. â€Å"It’s good to have a beer with you,† Ronnie says, just before clinking his Yuengling Lager bottle against mine. â€Å"Who’s coming over for dinner?† â€Å"Veronica’s sister, Tiffany.† â€Å"Tiffany and Tommy?† I say, remembering Tiffany’s husband from Ronnie and Veronica’s wedding. â€Å"Just Tiffany.† â€Å"Where’s Tommy?† Ronnie takes a long swig of his beer, looks up at the setting sun, and says, â€Å"Tommy died some time ago.† â€Å"What?† I say, because I hadn’t heard. â€Å"God, I’m sorry to hear that.† â€Å"Just make sure you don’t bring up Tommy tonight, okay?† â€Å"Sure,† I say, and then drink a few large gulps of my beer. â€Å"So how did he die?† â€Å"How did who die?† says a woman’s voice. â€Å"Hi, Tiffany,† Ronnie says, and suddenly she is standing with us on the porch. Tiffany’s wearing a black evening dress, heels, and a diamond necklace, and her makeup and hair look too perfect to me – as if she is trying too hard to look attractive, like old ladies sometimes do. â€Å"You remember Pat, right?† I stand, and as we shake hands, the way Tiffany looks into my eyes makes me feel really funny. We move back into the house, and after some small talk, Tiffany and I are left alone on opposite ends of the living-room couch as Veronica finishes cooking the meal and Ronnie puts Emily to bed. â€Å"You look very pretty tonight,† I say when the silence grows awkward. Before apart time began, I never ever complimented Nikki on her looks, and I think this really hurt her self-esteem. I figure I can now practice complimenting women on their looks so it will come naturally to me when Nikki returns, although Tiffany really does look pretty, even if she is trying too hard with the makeup. She is a few years older than me, but has a fit body and long, silky black hair. â€Å"What happened to your cheek?† Tiffany asks without looking at me. â€Å"Weight-lifting accident.† She just stares at her hands, which are folded in her lap. Her nails have been recently painted a blood red. You read "The Silver Linings Playbook Chapter 10" in category "Essay examples" â€Å"So where are you working now?† I say, thinking this is a safe question. Her nose crinkles, as if I had farted. â€Å"I got fired from my job a few months ago.† â€Å"Why?† â€Å"Does it really matter?† she says, then stands and walks into the kitchen. I down the remainder of my second beer and wait for Ronnie to come back. Dinner is elegant, with candles going and fancy plates and special silverware, but awkward, as Tiffany and I are completely silent while Veronica and Ronnie talk about us as if we aren’t there. â€Å"Pat is a big history buff. He knows everything about every single U.S. president. Go ahead. Ask him anything,† Ronnie says. When Tiffany fails to look up from her food, Veronica says, â€Å"My sister is a modern dancer and has a recital in two months. You should see her dance, Pat. So beautiful. My God, I wish I could dance like my sister. If she allows us this year, we’re all going to her recital, and you should definitely come with us.† I nod carefully when Tiffany looks up for my response, thinking I’ll go just so I can practice being kind. Also, Nikki would probably want to go to a dance recital, and I want to do the things Nikki likes from now on. â€Å"Pat and I are going to work out together,† Ronnie says. â€Å"Look how fit my buddy is. He puts me to shame. I need to get in that basement with you, Pat.† â€Å"Tiffany loves the shore, don’t you, Tiff? The four of us should take Emily to the beach one weekend in September after the crowds have left. We could have a picnic. Do you like picnics, Pat? Tiffany loves picnics. Don’t you, Tiff?† Ronnie and Veronica trade facts about their guests for almost fifteen minutes straight, and then finally there’s a lull, so I ask if any of them knows anything about the Vet being imploded, and to my surprise Ronnie and Veronica both confirm that it was demolished years ago, just like my father said, which worries me tremendously because I have no memory of this or the years that have supposedly transpired since. I think about asking how long ago Emily was born, because I remember getting a letter and picture from Ronnie soon after her birth, but I get scared and do not ask. â€Å"I hate football,† Tiffany offers. â€Å"More than anything in the world.† And then we all eat without saying anything for a while. The three courses Ronnie had promised turn out to be beer, lasagna garnished with baked asparagus, and key lime pie. All three are great, and I tell Veronica as much – practicing again for when Nikki comes back – to which Veronica replies, â€Å"Did you think my food would be bad?† I know she means it as a joke, but Nikki would have used the question to prove just how witchy Veronica can be. I think about how if Nikki were here, after we went home, we’d stay up talking in bed like we used to when we were both a little drunk – and sitting now at Ronnie’s dinner table, the thought makes me feel sad and happy at the same time. When we finish our pie, Tiffany stands and says, â€Å"I’m tired.† â€Å"But we’ve hardly finished eating,† Veronica says, â€Å"and we have Trivial Pursuit to – â€Å" â€Å"I said I’m tired.† There is a silence. â€Å"Well,† Tiffany finally says, â€Å"are you going to walk me home or what?† It takes me a second to realize that Tiffany is talking to me, but I quickly say, â€Å"Sure.† Since I am practicing being kind now, what else could I have said – right? It is a warm night, but not too sticky. Tiffany and I walk a block before I ask where she lives. â€Å"With my parents, okay?† she says without looking at me. â€Å"Oh.† I realize we are only about four blocks from Mr. and Mrs. Webster’s house. â€Å"You live with your parents too, right?† â€Å"Yeah.† â€Å"So no big whoop.† It is dark, and I guess it’s about 9:30 p.m. With her arms crossing her chest, Tiffany walks pretty quickly in her clicky heels, and soon we are standing in front of her parents’ house. When she turns to face me, I think she is simply going to say good night, but she says, â€Å"Look, I haven’t dated since college, so I don’t know how this works.† â€Å"How what works?† â€Å"I’ve seen the way you’ve been looking at me. Don’t bullshit me, Pat. I live in the addition around back, which is completely separate from the house, so there’s no chance of my parents walking in on us. I hate the fact that you wore a football jersey to dinner, but you can fuck me as long as we turn the lights out first. Okay?† I’m too shocked to speak, and for a long time we just stand there. â€Å"Or not,† Tiffany adds just before she starts crying. I’m so confused that I’m speaking and thinking and worrying all at the same time, not really knowing what to do or say. â€Å"Look, I enjoyed spending time with you, and I think you’re really pretty, but I’m married,† I say, and lift up my wedding ring as proof. â€Å"So am I,† she says, and holds up the diamond on her left hand. I remember what Ronnie told me about her husband having passed away, which makes her a widow and not married, but I do not say anything about that, because I am practicing being kind instead of right, which I learned in therapy and Nikki will like. It makes me really sad to see that Tiffany is still wearing her wedding ring. And then suddenly Tiffany is hugging me so that her face is between my pecs, and she’s crying her makeup onto my new Hank Baskett jersey. I don’t like to be touched by anyone except Nikki, and I really do not want Tiffany to get makeup on the jersey my brother was nice enough to give me – a jersey with real stitchedon letters and numbers – but I surprise myself by hugging Tiffany back. I rest my chin on top of her shiny black hair, scent her perfume, and suddenly I am crying too, which scares me a lot. Our bodies shudder together, and we are all waterworks. We cry together for at least ten minutes, and then she lets go and runs around to the back of her parents’ house. When I arrive home, my father is watching television. The Eagles are playing the Jets in a preseason game I did not know was on. He does not even look at me, probably because I am such a lousy Eagles fan now. My mother tells me that Ronnie called, saying it’s important and I should call him back immediately. â€Å"What happened? What’s on your jersey? Is that makeup?† my mother asks, and when I do not answer, she says, â€Å"You better call Ronnie back.† But I only lie down in my bed and stare at the ceiling of my bedroom until the sun comes up. How to cite The Silver Linings Playbook Chapter 10, Essay examples

To what extent does the ending ensure a sense of closure to the film Essay Example

To what extent does the ending ensure a sense of closure to the film Essay Director Paul Haggis successful debut Crash (2005) tells the individual stories of a seemingly unrelated group of individuals in the story space of two days; it immediately begins with the result of a car crash, but the story stems from the shift back in time to the day before the incident. By doing this Crash skilfully and deliberately reaches beyond the conventions of narrative film, as it does not begin with a balanced equilibrium; it is this and numerous stylistic effects that makes for an increased sense of closure as each interweaving story is summed up individually yet also in the wider context of the film and the issues it presents.In this short period of time in fast paced Los Angeles and through the chance encounters of the characters- for example, when a racist police officer is forced to save the life of a white woman whom he had previously black mailed and violated out of racial discrimination- the films underlying morals and themes come to the fore. As the film takes th e audience slightly back in time, we engage with the almost parallel lives of the characters and their problems encountered out of bigotry and fear, and it is as these interweaving stories become connected that the pace of the film slows down and closure hinted at.Through plot- which is defined by Bordwell and Thompson as all the events that are directly presented to the viewer in a narrative film1- for example in its parallelisms and through stylistic effects, particularly in the closing five minutes which I will focus on, Crash successfully brings its narrative to a subdued close and reveals the underlying key themes. The ending is satisfying to the viewer in that individual stories are resolved- not necessarily within themselves but in the wider context of the film- thus ending with an emphatic moral note as opposed to a stable situation and happy ending.This closing five minute sequence offers insight into the lives of the characters once they have crashed into each other one wa y or another, as the camera watches over them individually at a distance. Through style- notably non-diegetic sound which plays throughout the whole sequence and ties together the various lives of the characters- the audience is presented movingly with each of the characters reflections in hindsight to their actions and their experiences. The audience is thus encouraged to identify with characters and understand the story and its underlying messages.The sequence begins with the story of Jean Cabot (Sandra Bullock): the audience sees her embracing her house-keeper as she says: do you know what? Youre the best friend Ive got. This marks her poignant revelation of her unfulfilled and unhappy life, which had been for so long masked by lavish lifestyle and her career-obsessed husband. Complete focus is on her character as a close up of her face in the centre of the frame begins the sequence; as the slow non-diegetic sound slowly builds up, the camera slowly tracks into her face, allowing for extreme close up. The combination of the reflecting music, the slow tracking of the camera and the intimate close up of her face gently reinforces her emotion and signifies, almost dramatically the turning-point in her life. As the close up focuses on her sad emotional state, the touching music (In the deep, by Kathleen York)- which happens to eventually cosmically relate all the intertwining stories- begins on the line thought you had all the answers. This serves again to emphasise her disillusionment with life, resulting in this emotive realisation, thus in many ways closure to her character. Mise-en-scene here is working as part of the plot as it signifies and mostly heightens the significant realization of this named character.After a relatively long take, the camera jump cuts to the story of another character and an establishing shot of Officer Tom Hansen (Ryan Phillipe) burning the car -where out of subconscious racial discrimination he fatally shot an innocent teenager ( Larenz Tate). We see him at a distance angrily throwing rubble onto the fire out of grief; the distance the camera allows for emphasises his helpless state at a significant time in the story, conveying the underlying consequences of his racial prejudice. Again by using an establishing shot here the audience now has a sense of time and space, as they have already been introduced to this storyline through plot.The jump shot might usually serve to create a disjointed or abrupt change in plot, yet through continuation of the same slow non-diegetic sound- which completely takes over synchronous sound- it almost seems to act as reflection, to sum up the story line rather than to expand on it. A balanced, almost symmetrical frame follows as the camera cuts to a medium close up of Officer Tom Hansen now in the middle of it. As the camera remains static however he walks slowly forward and to the right of the frame; this allows the balance to be disrupted, thus subtly emphasises his vulnerabi lity in the frame.2 This relates to his weakness in the story, as his position in the frame becomes vulnerable at a time in the story when his previous position of power and success has been substituted for a position of regret, reflection and shame. By showing his character in this way, the tone of the scene is extremely toned-down and as the story allows for the characters reflection, so the mood and mise-en-scene allows for audience reflection of racial prejudice.As the Officer walks forward in a few more frames of the shot, it is also noteworthy to point out the objective camera angle. By employing this camera angle the audience happens to look in as opposed to involving themselves in the action. This distances the audience somewhat and forces them to empathise with this character.Lighting works together to connote sadness; the predominant darkness and orange filter used suggests that all the light comes from the background fire, thus selectively lighting parts of the characters face and not much else. This slightly dappled light falling onto the characters face remains even throughout this shot and so slight changes in his harrowing expression of emotion are easily registered by the viewer; this again serves to emphasize his emotional state over actions or setting. And so the almost sombre tone of the scene is intensified. Through subdued lighting his emotional state is heightened to the audience who can now build an identification with him in his sadness. The plot merely shows the Officer walking away from the scene of the crime, yet through non-diegetic sound- connoting sadness and a poignant atmosphere- , through intimate close ups of his face and also through shallow depth of field created- by selectively focusing entirely on his face- the plot infers successfully his feeling of remorse and realisation.As the non-diegetic music and the calm paced shot length continues into the next sequence- as it were into other final accounts of the characters stori es- the audience is able to relate the characters, thus identify feeling of sadness and a sense of closure in all the accounts. After several shots of these various characters in their states of reflection in the closing five minutes of the plot the music begins to slow to a close; as it does this the audience sees Anthony (Ludacris) letting the Chinese immigrants go, after previously agreeing to sell them. This part in the plot signifies his revelation in looking beyond money for the greater cause. Yet, it is at this exact point of the music ending that we hear him say to one of the immigrants: dopey fucking Chinaman. Here- mainly through the combining of sound and plot- the films message and story is presented effectively; that moving at the speed of life even after having crashed into one another the issue of prejudice will always haunt in the world todaybla bla bla.In the closing sequence of the plot the audience is again encouraged to relate the different characters, thus bring ing messages of the film to the fore; it shows that our actions although they may seem insignificant, actually relate to the wider context and serve to affect others in undesirable ways. This is also possible through the rhythmic relationship of the shots in the sequence; although this sequence employs numerous jump shots to signify a change in sub-plot, through continuity editing and continuation of the non-diegetic sound, the viewer is not left disorientated, but instead is able to follow the interweaving plot. Through continuity editing- particularly continuation of asynchronous music and rhythmic relations of shot length in this sequence- the individual stories of the various characters come together and form the wider narrative of the film. By doing this the audience is able to understand the plot in its successful attempt to relate each individual to its wider context, and show the often subconscious effects of racism on society as a whole.As the sequence comes to an end and a s the individual stories of the characters are given room for contemplation and reflection by the characters and the viewer, the mood of the scene becomes much more upbeat; with jerky guitar riffs contrasting with the previous sombre piano sound. By doing this the viewer can at this point look beyond the emotional stories of the individual characters and think more closely about the messages presented in the film. It allows a less serious light to be shone onto the subject, but at the same time leaves it in our minds for contemplation, as the scene closes with a car crash resulting in one of the drivers saying what the hell is wrong with you people?As the various drivers are left on the road fighting with each other, the camera slowly pans out of the action, leaving a birds- eye shot angle looking down on it. This remarkable angle combined with lively yet reflective music- as it reads these little black clouds keep walking round me- humorously presents the audience with a finality t o the story, yet keeps the actual issues unresolved. It realistically produces closure to the plot and story, as it has successfully addressed various issues so that they are understood by the audience; yet it is presented as an ongoing problem- as the narrative goes full-circle- thus leaving the audience with room for reflection themselves.By looking at the closing five minutes of Crash, through style and plot the story and essential issues of post 9/11 America are presented unflinchingly to the audience. To reveal the wider issues in the story, Crash has effectively depicted the every day life of a diverse group of characters, who as it turns out have more in common with each other than they initially thought. By the interaction of mainly sound and editing with the plot, Paul Haggis story is told with force, allowing the audience to contemplate and reflect on various issues- namely racial prejudice in the world today- along with the narrative characters.

Journal About Working People Part2 Example

Journal About Working People Part2 Example Journal About Working People Part2 – Coursework Example Journal about Working People In the contemporary environment, working people encounter various problems. These challenges not only differ from firm to firm but also according to work category. According to research, following could be the potential issues, faced by working people.If you are new in the organization; there could be an issue of adjustment with culture and norms of the firm, initially. Then, it is probable that old employees might not listen to your ideas and you will make errors in the beginning which may put you in a difficult position. Moreover, time management can be a hurdle.You must be prepared for all types of co-workers as some of them might disagree with you all the time and your way of working might not be coherent with their working style. Furthermore, most of the organizations have people who will bully you, create trouble behind your back, destroy your work and never lose an opportunity to discourage you. You may encounter harassment and discrimination issue s from both management and co-workers; this mostly happens if you are a woman or a migrant.Work place ethics can sometimes be very challenging as it might ask to compromise your integrity and self-respect. The relationship with higher management and your immediate supervisor are also important, as if they are problematic, then it will be difficult to effectively perform your duties. However, quitting is not always a good option in this competitive job environment. You must take every step to resolve issues you are facing in an organization.Reference"Workplace Challenges."Â  iseekjobs. Minnesota State Colleges & Universities, n.d. Web. Available online: https://www.iseek.org/jobs/workplace-challenges.html

Essay on Character Analysis of The Necklace

Essay on Character Analysis of The Necklace Essay on Character Analysis of The Necklace This is an example essay on character analysis of The Necklace: Guy de Maupassant narrative of The Necklace is chilly and has a cruel irony effect. The suffering set forth in the story seems to have been needless, due to the fact of misunderstanding and petty pride in Mr. and Mrs. Loisel. The craftsmanship of the story had been masterfully manipulated to where the revelation was held until the very end of the story. Characters in a story can be classified as â€Å"dynamic† or â€Å"static†. Dynamic characters are characters that change as the story progresses. That is, they recognize, change with, or adjust to circumstances. Static characters, which can also be described as â€Å"flat†, are characters that are not well developed and remain fairly unchanged throughout the story. Usually static characters have minor roles in a story (e.g. co-workers, friends, policeman, etc.). Mathilde Loisel, the main character in â€Å"The Necklace† seems to be a very dynamic character, although some of her moods appear to stay with her longer than others. Many of the things she had imagined often were not considered by other women of her social rank, such as worn-out chairs, curtains, and boiled beef for dinner, tortured and filled her with despair. (3) Feeling as though she had once deserved to marry better, but was unable to obtain a well to do husband she settled for a marriage with a minor clerk in the Ministry of Education. She is described as to have suffered ceaselessly, according to her daily description of her lifestyle. She would often ease her suffering of being in a drab house by visiting with her rich friend, Mrs. Forrestier. Mrs. Loisel had often dwelt upon her fantasies of a more elaborate life. Her desire to be of a higher status and to possess nice valuable trinkets seemed to poison her very nature. Mr. Loisel notice that his wife is not satisfied with her lifestyle. Seeing how she daydreams of living in luxury they cannot afford. He becomes excited as he carries an invitation to go too a formal dinner with the Ministry of Education. He had worked hard to get recognized for his efforts. Not too many clerks were invited to such an occasion. (6) Mrs. Loisel becomes upset because she has nothing elegant to wear for such an occasion. By forcing a few tears and sadly confronting her husband about her misfortunate state, she is able to convince him that she needs an expensive dress for a once in a lifetime event. Mrs. Loisel tells her husband she will need about 400 francs to purchase a dress worthy enough to get the attention of the other people at the dinner. The price was slightly more the he expected but gave her the money to purchase it from his next summer’s vacation fund. Continuing with the emotion of self-pity, she develops into a greedy individual. The dress is not en ough on its own, she will need an elaborate necklace to draw attention to herself. Mathilde is able to obtain a rather lovely necklace from Mrs. Forrestier who has large amount jewelry. The night of the party, Mrs. Loisel was prettier than anyone else, stylish, graceful, smiling, and wild with joy. (53) She enjoys the immense amount of attention she is receiving. Mrs. Loisel is so caught up in her own self-centeredness that she totally forgets about her husband. She cares for nothing, but the moment she is in. The party ends in the early morning hours and Mrs. Loisel wants to leave in a hurry. She wants the people she met at the party to remember her as was. She conceals her true identity because she is embarrassed for who she really is. In the midst of a returning home after a grand evening she notices she has lost a costly possession†¦the necklace!! Mr. and Mrs. Loisel look through her dress, shawl, pockets, and retraced all their steps from the party. (65) They worried and fretted about the lost necklace offering a reward for its return. They realize the inevitable situation they are in and have to replace the necklace. They went from jeweler to jeweler, searching for an indistinguishable replacement. (90) The replacement would cost 36,000 francs. Mr. Loisel had 18,000 francs left to him by his father. The other half would take three days to acquire from various loan companies and friends. Mrs. Loisel returns the necklace and does not tell Mrs. Forrestier that it’s not the same one that she borrowed. Mrs. Loisel now has to work, along with her husband working late hours. She takes a job as a servant, cleaning house, washing dishes, and other heavy housework. (99) She rents out a servant’s quarter and learns what its like to be among the working class. During this time she becomes somewhat practical. Now she has experienced what is really like to be the wife of a clerk. The debt would take 10 years to pay back. After the 10 years she finds Mrs. Forrestier walking with her child. She notices that she is youthful and attractive. Mrs. Forrestier hardly recognizes her and regards her as a lowly working class woman. (110) She tells Mrs. Forrestier that she has just finished paying off the necklace that she had borrowed for the dinner. Sadly, in the end after all she has put herself and her husband through, she finds out that it was really in vain. Mrs. Forrestier tells her if she had only told her years ago, she would have only paid about five hundred francs because it was only costume jewelry. ______________ is a professional essay writing service which can provide high school, college and university students with 100% original custom written essays, research papers, term papers, dissertations, courseworks, homeworks, book reviews, book reports, lab reports, projects, presentations and other assignments of top quality. More than 700 professional Ph.D. and Master’s academic writers. Feel free to order a custom written essay on The Necklace from our professional essay writing service.

Fundamentals of Macroeconomics paper Research Example | Topics and Well Written Essays - 500 words

Fundamentals of Macroeconomics - Research Paper Example Real domestic product however defines the value of a country’s total production in goods and services at constant base prices of the commodities. Such a basis may be each commodity’s price in a given year (Mankiw, 2011). Purchasing of groceries reduces amount of money among the purchasing households and increases amount of money held by businesses. It also increases government revenues through tax on the groceries. It however has no economic value on households and business because it involves exchange of similar values. The government however derives economic gain in the taxes (Mankiw, 2011). The layoff reduces households’ revenues because of its unemployment effect on members of households. It also adversely affects businesses through reduced revenues because of households’ lower spending power. Layoffs also affect the government through lost revenues in income tax. The government’s revenue is further reduced because lower purchasing power into reduced demand results in low revenues from value added tax (Mankiw, 2011). Decrease in tax has the effect of increasing households’ money reserves from both direct and indirect taxes. A decrease in direct tax results in higher income and a decrease in indirect taxes leads to lower commodity prices that allows for more savings by households. The effects of reduced tax on households also mean their increased purchasing power that suggests an increase in sales and revenues among businesses. The government however losses revenues that it would however earn at higher taxes (Mankiw, 2011). Purchasing groceries has no net economic flow between households and businesses because it is a mere exchange of equivalent values between the two parties. Money, however, flows from both businesses and households to the government in taxes (Mankiw, 2011). Lowering taxes identifies a virtual transfer of

Luma pros and cons Essay Example | Topics and Well Written Essays - 500 words

Luma pros and cons - Essay Example She does both soccer coaching and individual counseling for diverse emotional issues they faced. That Luma is a Clarkston â€Å"outsider† may be true from the geographical or political considerations. But she succeeds in transcending the barrier of nationality, the stamp of immigrant on her personality, through the processes in which she moulds the personality of her players. The â€Å"outsider† factor had no impact between her status as coach and her team. Addressing to the boys whose attention on the game of soccer is diverted on account an air-plane show Warren St. John writes about her utterances, â€Å"YOU GUYS NEED to wake up!† a voice interrupted as the jets streaked in to distance. â€Å"Concentrate!† The voice belongs to Luma Mufleh, the thirty-one-year-old founder and volunteer coach of the Fugees.†(2) This indicates her amazing work ethic and vision. â€Å"Outsider† question may be burning topic for political discussions, but Luma has shown through the building process of her soccer team, how to strike the balance in the diverse perspectives related to immigration, local and global politics, identity and intergenerational issues, creativity, biculturalism and community building. Luma has demonstrated that the complex story of Clarkston and the struggle of Fugees soccer team is the story of America in the broader sense. She is a native of Jordan and her soccer team boys belong to families that flee to the United States from many war-torn areas across the globe and her soccer saga serves as the catalyst for their coming together and is the living example of concept of ‘the world is one family.’ She hails from an aristocratic family from Jordan. She comes to America for studies. Giving her backgrounder information the author writes, â€Å"Luma, I would learn, had no particular background in social or human-rights work. She was just a normal woman who wanted, her own way, to make the world a better

The Limits of Science Essay -- Philosophy Papers

Does science have any limits? Scientists say no. Philosophers are divided in their response. The humanities say that science is not "humanitarian," and thus not metaphysically deep. In response, scientists and some philosophers contend that science is the best knowledge we have about the world. I argue that science is limited by its form. Science has no object that derives from the human form. Everything that is incomparable to the dimension of the human body is reducible to notions that are commensurable to that body. This phenomenologically clarifies some of the most important discoveries in contemporary science. The Special Theory of Relativity shows the dependence of space and time on the accounting system. Quantum mechanics displays the limits of observation (Heisenberg) and logical indefiniteness by compelling the creation of a macropresentation of micro-objects and gets around logic (Feyerabend) through the principle of additionality. Experimental science has come out as an ar tificial projection of human expansion, not as a reflection of the transcendent order of the world itself. "The life world" successfully takes the place of "the objective world" of modern rationality. Does Empirical Science have any limits? This question is not so interesting for the contemporary philosophy of Science. Not like the questions of reality, objectivity, rationality. I believe, that these questions could be elucidated by answering the question of limitness, or, of form of Science. Does Empirical Science have any limits? The answer of the scientists is No: Science is unlimited. There are no scientifically unresolvable questions, they have sense. The answer of the philosophers is not clear, but it is close to No. It is shown not only i... ...rld. And now, at the issue of this study, occurs a question: Does the pre-scientific grasping of the world through logic, space and time really need the "reinforcement" which the experimental science proposes? Notes (1) Gherdjikov, S. Limits of Science. Sofia, Extreme Press, 1995. (2) See Heelan, P. Space-perception and the Philosophy of Science. Berkeley-Los Angeles-London, University of California Press, 1983. (3) See McTagart, J. The Nature of Existence. Northampton, J. Dickens & Co., 1968. Paragraphs 303-351. (4) Hempel, K., Oppenheim, P. Studies in the Logic of Explanation. N. Y., 1970. (5) Gerdjikov, S. A Matrix Model of Scientific Explanation.-International Congress "Logic and Methodology of Science." Proceedings. Moscow, 1987. Vol. 6, p. 367- 368. (6) Popper, K. The Logic of Scientific Discovery. Hutchinson of London. London, 1959.

Policing: Police and Stakeholder Groups

Community policing is a method of enforcing the law and philosophy based on the perception that collaboration and support of the society and police can help reduce crime, the fear of crime and to alleviate the social problems that lead to crime and. The members of the community help to identify suspects, to restrain offenders, report crimes to police and to address the social problems that lead to increase in the crime rates in the first place.Community policing advocates for organizational strategies that incorporate community-police partnerships and problem-solving methods, which seek to deal with the immediate conditions that give rise to public safety issues such as social disorder fear of crime and crime itself. There are three gears of community policing; collaboration with the community, resolving the problem affecting the community and transformation of the police organization (Trojanowicz & Bucqueroux, 1994). Other attributes of community policing are partnership, personaliz ed approach, permanent, proactive, patrols and problem solving.Community partnerships refer to the collaboration between the police and the members of the community they serve. These include individuals, private businesses, organizations, community groups, media, and other government agencies. It involves bringing together the law enforcers and various stakeholder groups together so that they develop solutions to the problems and build trust in the police. These partnerships give the stakeholder groups an opportunity to input their ideas and views into the police process; this is done as part of community support and participation.Organizational Transformation involves the restructuring of the structure, information systems, personnel, and management practices to take in the community partnerships and problem solving. It seeks to reinvent the police departments, transform their leadership organizational culture, relationship with other stakeholder groups and agencies, service delive ry, and improve the public perception of the police. The transformation seeks to move away from the traditional view of police to a better force.An example is the shift from the traditional view that the police are the principal government agency that enforces the law to the community policing view that police are community members and all the stakeholder groups are the police; the police officers are just employed to dedicate their full time to the duties of every community member (Palmiotto, 2000). Problem solving involves the engagement of the law enforcers and stakeholder groups in analyzing and identifying the problems and then developing appropriate effective responses.Trojanowicz et al. (1998) explains the SARA (Scanning, Analysis, Response, and Assessment) model of problem solving which is applied in community policing projects. Scanning: identifying the problems based on priorities. Analysis: entails finding out the known facts about the problem. Response: entails coming up with solutions, which will permanently reduce incidences and extent of problems. Assessment: determining whether the problems have changed, and establishing the outcome of the responses.Police subculture refers to a situation where the police officers, instead of adhering to the set professional code of conduct, they come up with their own individual code of ethics. They put loyalty to their fellow colleagues first at the expense of protecting and serving the community. Palmiotto (2000) describes it as â€Å"the blue curtain† and some of its characteristics are cynicism, isolation from others, tribal/racist and ethnic. This clannish mindset results from three factors. First, police officers are the only real crime fighters and are easily identified because of uniforms, badges and guns.Secondly, they have a similar way of life; only police can understand police. They face the same challenges, risks, dangers, and rewards which the public do not have an idea. Lastly, that they are targets of criminals and perceive that various stakeholder groups such as concerned individuals, politicians and bureaucrats do not support them. It is true racist notions of certain communities dominate that police subculture. After the 1970s' police reforms, there has been a gradual rise in minority officers. By mid 1990s, African American officers composed most of the force in Detroit, Washington, D. C. , and Atlanta.However, in states like Miami, Hispanic and African American officers comprised 48 percent and 17 percent respectively (Walker, 1999). Supporters of these transformational efforts recommended that minority officers had less likelihood of using force against minority suspects, and were less likely to be biased against them. Further, they suggested that minority officers would have an improved connection with minority citizens. Indeed, studies have proven that there exists major difference in the attitudes of white officers and minority citizens, though only a smal l number of differences in actual behavior and performance have been reported.Such other noteworthy differences are also seen in the attitudes of minority and white officers toward community policing policies. For instance, a research on police officers working in minority districts in New York City shows that minority officers had positive attitudes about the districts and citizens in the districts they worked. Compared to their white counterparts, it was found out that minority officers adopted a positive attitude towards the community policing initiatives and the society, (Walker, 1999). Besides the race discrimination, there also is the gender bias.With the steady rise in the number of female officers, there have been many theories advanced concerning the attitudes and conduct of males compared to female officers. Those supporting the recruitment of more female officers argued that females would conduct themselves better verbally when handling difficult circumstances, and would be less aggressive. Those against the hiring of female officers put forward the fact that female officers were poor in handling aggressive situations, and faced greater risk resulting in the rise, in officer safety problem.Additionally, they disputed the capabilities of female officers arguing that they would be more like social workers than law enforcers would. Studies have indicated that there are no major variations in attitudes, performance, and on-job-conduct between male and female officers; however, there is a subculture, which underscores the existence of gender discrimination (Palmiotto, 2000). These notions have eventually evolved to police subcultures, which are widely practiced by the police officers.These notions become practices because officers believe that they have the freedom and the right to act or make a judgment based on their own independent choice and thought. The police work usually draws individuals who are naturally dictatorial and guarded; new recruits int o the police force are socialized in the environment full of the subcultures leads to the development and adoption of these traits. Cynicism starts in the military-type police training colleges and gradually rises with years of service; lack of job satisfaction and promotions usually precipitates it (Trojanowicz & Bucqueroux, 1994).Some of these widespread subcultures are intimidation, offensive language, harassment, and unnecessary or excessive use of force. Others are the codes of silence and the â€Å"cop code† (Lawrence, 2010). In the codes of silence, the officer covers evidence, assaults a suspect, or breaks a law to implement another; other officers either overlook or abet contravention of their professional code of ethics. A famed incident of law transgression by the police officers is Rampart scandal in which many of Los Angeles Police Department officers engaged in wanton shootings, assault, faking evidence and drug trafficking (Lawrence, 2010).The cop code comes in when the society feels that the police officers do not follow their code of conduct; it cultivates a sense of mistrust and contempt of the police department. In minority areas, the public starts to view the police as a face for ethnic discrimination. Because of this, the community loses trust in police and refuses to in help them solve crimes and may sometimes culminate in riots. To overcome these embedded notions, a lot needs to be done. Some measures that can be used include controlling the day-to-day police work, raising the education standards for recruits, and improving training.It is widely argued that officers with higher education levels are better equipped to deal with the demanding duties of police officer, their conduct is better, are more likely to use alternatives to arrest, and more restrained in using force against suspects. This is clearly demonstrated in female and minority officers, where it has been proven that officers with higher education have a better view co mmunity policing and more positive attitude towards the citizens (Trojanowicz et al. 1998). Necessary reforms should be instituted and an independent, internal affairs monitoring system be put in place.Watchdogs and community organizations can help make sure that the police force is free of misconduct and corruption. The professional code of conduct and ethics for police officers should be designed in such a way that it incorporates the universal principles of policing. According to Walker (1999), the code should incorporate three important aspects; it should ensure equal protection for all in spite of race, gender, identity, or social status of the lawbreaker. The rule of law must apply to everyone including the law enforcers, and the police must be of high moral conduct greater than that of many members of the public.It should have checks and balances to prevent abuse of power and illegitimate use their power for personal gain. There should be clear guidelines on the use of force; policies should limit the use of excessive force on unarmed or non-dangerous criminals. There should be improved supervision and necessary disciplinary measures taken for the officers who contravene the professional code of conduct. In addition, psychological screenings and intensive screening of the backgrounds of potential police officers should be done to avoid officers with antisocial personalities (Walker, 1999).Community policing involves the police-stakeholder groups partnerships to identify and solve the crimes and social disorders that affect the community through delivering police services and problem-solving tactics. It seeks to alleviate the fear of crime and ensure security and prosperity of the community. In implementing a community-policing program, the first step should be identifying and prioritizing the problems facing the community. The police subcultures play an important role as they can help to identify the possible drawbacks and causes of these problems.The m istrust in the police and few rogue individuals among the officers could be the cause and working on them could reverse the social problems facing the community. The police subcultures also help to understand the challenges to community policing, to identify whether the actual policing is taking place and to determine the future trends of community policing. The existence of a subculture shows that officers have several attitudes, values, and beliefs that are common to them. These practices, attitude, values, and beliefs are passed from officer to officer via the process of socialization.These subcultures can aid in implementing community policing in that if the staffing, instruction, and on-the-street experiences of new recruits that socialize them into the police subculture are positive, the whole police force gradually becomes transformed positively. They can help to build a positive image of the police force. By creating, the trust of community members in the police, they will l ead to new collaborations in the betterment of the community welfare, and community policing as a whole.

Julius Caesar Character Analysis - 852 Words

People have many different personalities that either make us like them, or dislike them. One feature that makes us like people could be that they are honorable. Then corruption is a feature that causes us to dislike people. In this play, Julius Caesar, there were many different characters with many different personalities. I believe that Soothsayer is the most honorable character, and I believe that Brutus is the most corrupt. I believe that Soothsayer is the most honorable character for multiple reasons. One reason I believe this is because he tried to warn Caesar two times about the Ides of March. Caesar marked him as unimportant, and he ignored Soothsayer. Despite Caesar saying he was unimportant, he tried again to warn Caesar a second†¦show more content†¦The character I think is the most corrupt is Brutus. There are numerous amounts of reasons I believe this. The first reason I believe this is that Brutus was Caesar’s most trusted friend. Caesar trusted Brutus deeply, and Brutus proved he was not worth trusting by joining the conspiracy. If my most trusted friend organized a conspiracy against me to murder me, I’d be absolutely devastated. When a person figures out a friend has betrayed their trust, that’s one of the worst feelings. The next reason I believe Brutus is the most corrupt is that he never even questioned the authenticity of letters left to him about Caesar. I f I were Brutus as soon as I read those letters I would’ve went and spoke with the person who wrote them to me. I feel that Brutus was very ignorant to never even question who the authors of the letters were. Also, if you’re a good noble person you won’t let what others say about someone affect your opinion of that person, especially if they’re your â€Å"best friend†. Lastly, the final reason I am convinced Brutus is the most corrupt is that Brutus went against his word. Brutus said in line 166 in Act 2 â€Å"Let us be sacrificers, but not butchers†(Shakespeare). Caesar was stabbed a total of 33 times. There is no way that letting the conspiracy stab him 33 times was not butchering, in fact, it was mutilation. This in no way is an honorable act. It honestly sickens me to think about how you can let someone do such as terrible thing to a person youShow MoreRelatedCharacter Analysis of Julius Caesar1421 Words   |  6 PagesJulius Caesar Character Analysis Cassius Strengths and Weaknesses Cassius was one of the conspirators against Cesar and proves to be a powerful character in Shakespeares, Julius Caesar. He has much strength and very few weaknesses and this helped him achieve small goals that led to his main goal of killing Caesar. One of Cassius strengths is his ability to influence people using flattery and pressure. 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Cassius appears to be a threat, althoug hRead More Brutus Character Analysis in Shakespeares Tragedy of Julius Caesar964 Words   |  4 PagesCharacter Analysis: Brutus William Shakespeares play, The Tragedy of Julius Caesar, was mainly based on the assassination of Julius Caesar. The character who was the mastermind behind the assassination was, ironically, Marcus Brutus, a senator and close friend to Julius Caesar. But what would cause a person to kill a close friend? After I examined Brutus relationship towards Caesar, his involvement in the conspiracy and his importance to the plot it all became clear. Brutus had one particular